Vol. 7, Issue 1, Part G (2025)

Raja Rao, as an honoured and brilliant pioneer of Indian English literature, occupies a unique place in Indian English literature because of his deep union of Indian philosophical thought with fiction. His novels, especially Kanthapura, The Serpent and the Rope, and The Cat and Shakespeare, are more than just stories; they are vehicles for spiritual and philosophical introspection related to Indian traditions. Many of Rao’s works contain themes such as dharma (duty), maya (illusion), moksha (liberation), and self-realisation, which are the principles of Advatia Vedanta. Using symbolic storey telling and reflective narration he seeks to bridge such a gap between the Western literary form and Eastern metaphysical content. This paper seeks to look at Rao as one who doesn’t just use fiction to tell storeys, but rather it examines how he uses fiction to explicate the inner world of human being along the lines of the Indian philosophy and his writing is also known for its linguistic experimentation and cultural hybridity. The Indian ethos is always present throughout his English prose through his incorporation of Indian idioms, Sanskritized phrases and philosophical dialogues. The category of philosophical quest is brought out in each of his major novels —Kanthapura merges Gandhian nationalism with traditional values; The Serpent and the Rope is an autobiographical journey of spiritual search; and The Cat and Shakespeare, using humour and everyday simplicity, investigate in metaphysical ideas; this study also explores Rao's vision of literature as a sacred act — writing as a sadhana (spiritual practise). Rao’s commitment to presenting Indian philosophical thought as lived, experiential reality is clear in the narrative structures, the characters’ internal struggles, and the East/West interplay in his fiction.